The tattoos of the mummies from the Pazyryk culture provide a better understanding of the way of life of Siberian inhabitants during the Iron Age, says the University of Bern.
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An international research team led by the University of Bern has analysed tattoos on a Siberian glacial mummy that is over 2,000 years old. For this study, the scientists collaborated with a contemporary tattoo artist.
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The mummy, a woman in her fifties, comes from the Siberian Pazyryk culture. She was buried in the permafrost of the Altai region, which means that the tattooed skin was exceptionally well preserved.
The tattoos of the mummies from the Pazyryk culture are of crucial importance for the archaeology of Siberia, as they provide a better understanding of the way of life of the region’s inhabitants during the Iron Age, the University of Bern said in a statement on Wednesday.
“The tattoos of the Pazyryk culture have long fascinated archaeologists because of their elaborate and vivid representations,” explains Gino Caspari, a researcher at the University of Bern’s Institute of Archaeological Sciences and the Max Planck Institute for Geoanthropology in Germany.
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The mummy had tattoos on her hands and forearms. While the images on the hands are mainly simple motifs, such as a cockerel on the left thumb, the forearms feature some of the most complex Pazyryk tattoos currently known: scenes of animal fighting. In both cases, predators are attacking an elk of some kind.
For a complete analysis of the tattooed skin, the team created a three-dimensional image of the mummy using digital infrared photography with sub-millimetre resolution.
Working with contemporary tattoo artists, the scientists analysed the tattoos in detail, enabling them to identify specific tools and techniques used during the process. They found that a perforation technique using different tools was used.
A complex craft
Analysis showed that the tattoos on the right forearm were finer and more technical than those on the left. This indicates that different tattoo artists were involved, or that the same person tattooed at different stages of their training.
These findings show that tattooing in the Pazyryk culture was not just a means of aesthetic expression, but a specialised craft that required technical skills, an aesthetic sense and training.
“Our study opens up new perspectives on individual scope in the shaping of the prehistoric body,” says Caspari. “Thanks to our study, tattooing appears not just as a symbolic ornament, but as a complex craft that has nothing to envy the art of modern tattooing,” he adds in the statement.
“It was as if we could really meet the people behind the art for the first time, see how they worked, learned and also made mistakes. The images began to come alive,” says the researcher. The study was published in the specialist journal Antiquity.
Translated from French with DeepL/gw
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